The American Poetry Review
Joshua Corey

On Our Imperfect Knowledge of Void

History is not continuous--the divorce must occur--
there was no moment of charity. I stepped out
of granite into the rainwashed alley.
I rode the pure bus into the angry buzz of sun.
When did the desert become horizon? When did this roof
open like a cabaret, and out come kicking
your small brilliant foot?
All around me lurks the humid air, the high skirts
of dusk, dusk's improbably long legs. There's a ferret
loose in my chest--he smokes constantly--
he drums his fingers on cheap felt.
I signed the papers. You want me to say
I felt free. What I felt
was like skating on a frozen lake
that giant bass turn slowly.
My head has doubled in size, my tongue's
becoming a silver dollar. You want me to keep saying
how at last I discovered passion, how I moved into a trailer,
drank beer and sang in Spanish every night, all night.
How tears cauterize the face where desire is received.
The divorce did not come through, I still live in the great house.
I take a stroll in evening wear
by the banks of my lagoon. In my mind
you're a plummeting breast--documented
olive trees--bark of the hooked blind bass--
the thinnest wrists of coal. Please accept
this invitation, please sit in that overplush chair.
I speak to you from chlorine: I say it's good to be alone.



Joshua Corey's first book, Selah (Barrow Street Press, 2003), was selected by Robert Pinsky as the winner of the Barrow Street Press Book Contest.


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