Landis EversonLemon Tree
A tree that grew in the Garden of Eden a tree of innocence called the Tree of Good and Evil. It was harmless as opposites are in balance. It was also tasteless, the taste of innocence before it is betrayed. When God removed the wall he gave the lemon thorns and bitterness because it had no hostility. It is a taste we want most to subdue. It asks to be left alone. We use it with fish and tea. We sugar it. Look out the window. It stands with a donkey's stance, hoping the day will pass. Its scent through the curtains cuts through mustiness, sharp with sweet blossoms. It hides the smell of new babies.
Death is a HoleDeath is a hole, or a gap in the hole. The radio talks Texan, the plain outside is shabby. A false desert lost in its own dream. I think of the forsaken rabbits, hope they come back to me. I was a sex slave near Tecate in the Casa Grande Hotel spread-legged on the dining room table the man called me Mable no rabbits were available. Insanity not an option, was not a remedy anyway but the song down the throat of death did sound beautiful, like rain over a dry place sucking for air as with a knife in my teeth I descend the stair. It was a border town called Gates of Hell. You know it, too? Filled with rabbits that forsake you when you need them the most. They were bygone days that should not have come on a phantom planet that death controlled always around, damn it, like static on the radio.
Landis Everson was born in 1926 in Coronado, California, and now lives in San Luis Obispo, CA. He was a member of the Berkeley Renaissance of the late 1940s, with his friends Robert Duncan, Jack Spicer and Robin Blaser. His poems appeared in Poetry, Locus Solus, Kenyon Review, Hudson Review, Quarterly Review of Literature, and Occident between 1948 and 1962. Everson's new poems are now appearing in Poetry, The New Republic, Fulcrum, Harvard Review, Chicago Review, Seneca Review, Jacket (where he is interviewed by Kevin Killian), Washington Square, PN Review, Fence, LIT, and other periodicals. He is the first winner of the Emily Dickinson Award from the Poetry Foundation in Chicago. A volume of new and collected poems, Everything Preserved: Poems 1955-2005, edited by Ben Mazer, is forthcoming from Graywolf Press.