Alessandra LynchExcommunication
I promised myself no more villages, no star, not a picket or door, and no investment in fire. Drop out, moon, skulk off, sun, said I then the I shunned its self and scuttled away, like a spider through fine skeins of rain. Goodbye to all kinds of weather and many iridescent undergrounds. Proper nouns, fall flat, hard on scorched shore. Adjective, deflate the world. Synonyms, release your hold on your brethren. I won't have any more roadside: I hereby release lythrum, frog, lake, and footfall. Thunderous or mute too, left in a stairwell that lost its rungs and wood. Unlock your grip, starnosed mole Return to the hills, wolf and lilac and all the signs of wilderness furl. Feed no more blossoms to the wind, abnegate the constellations, negate the sea and what is left of your world? What is left then? And who is there to talk to and how will you transport once the bridges have been unshackled and the rivers in drought but shimmering blue as herring-gills on a shore of bones beneath the gulls' out, out. Even tarnish even empty or cold must take their long walks off piers that have been sent off, and you were casting out more than you could number though you'd kissed each one. With a deep infinity of skin and blood no longer, then how will you call to the world (without lips, heart, whispers, screams) and with whom will you communicate and what will you sing, with no more mouths of anything, no sinew, no alone. Only here you are part of the world, sound itself without hold, loose as a history of the fall and rise of wind, in a world you had vowed never to mention for its shroud and its blindness falling on you as you banish.History
Its tear coursed through our inelegant wires. It darkened what had faded, mottled the stiff ridge, trickled through icy shackles; hoarsened the language of chains, brining our inmate-skin, rusting the fly- screen, prowling for faces on glass that kept slipping off. It pooled under grave-chinned stones and grew a hood over the draped swan and blackened the breast beating madly for a kiss. It had no word for pistol or war. It was the glistening aftermath. In its wake, smoke guttered to steamy sluice. The tear heavied the lash of the bull, matted bear-hide, curled the page, swelled the book where red news met blue-- resolving the world as blur. A cold soak to our wistful meadow. We began trailing its lucid tail whereupon tear stretched its silent cry and sidled through our skeletal village. We could not unlock ourselves for all its trembling glister, its glinting spur too soft to do any more but course and cool our anklebones, salting the root, not reconciled with that fixed smile of the world on which it dripped without us.
Alessandra Lynch is the author of Sails the Wind Left Behind, published by Alice James Books. Currently, she teaches English and Creative Writing to high school students. She lives by an old stone library near many reservoirs and trains.