Sharon OldsWhile He Told Me
While he told me, I looked from small thing to small thing in our room, the face of the bedside clock, the sepia postcard of a woman bending down to a lily. Later, when we took off our clothes, I saw his deep navel, and the cindery lichen silk, between the male breasts, and from outside the shower curtain's terrible membrane I called out something like flirting to him and he smiled. Before I turned out the light he touched my face, then turned away, then the dark. Then every scene I thought of I visited accompanied by a death-spirit, everything was chilled with it, each time I woke I lay in dreading bliss to feel and hear him sigh and snore. Near sunrise, behind overcast, he got up to go in and read on the couch, as he often did, and in a while I followed him, as I often had, and snoozed on him, while he read, and he laid an arm across my back. When I opened my eyes I saw two tulips stretched away from each other extreme in the old vase with the grotto carved out of a hill and a person kneeling in it, praying. Around the neck of the vase, its narrow sky, were petioles, leaf-scars, pollen ashes, pollen dust, as if I saw where he had been living, my imagined shepherd in impermanent paradise.
My First HourThat hour, I was most myself. I had shrugged my mother slowly off, I lay there taking my first breaths, as if the air of the room was blowing me like a bubble. All I had to do was go out along the line of my gaze and back, feeling gravity, silk, the pressure of the air a caress, smelling on myself her creamy blood. The air was softly touching my skin and mouth, entering me and drawing forth the little sighs I did not know as mine. I was not afraid. I lay in the quiet and looked, and did the wordless thought, my mind was getting its oxygen direct, the rich mix by mouth. I hated no one. I gazed and gazed, and everything was interesting, I was free, not yet in love, I did not belong to anyone, I had drunk no milk yet--no one had my heart. I was not very human. I did not know there was anyone else. I lay like a god, for an hour, then they came for me and took me to my mother.
Last HourIn the middle of the night, I made myself a bed on the floor, of oven-warmed hospital blankets, aligning it true to my mother, head to the hills, foot to the bay where the wading shore birds forage for mollusks, I lay down level, and the first death-rattle sounded its desert authority in the room. She had her look of a choirboy in a high wind, but her face was matteryer, as if her own personal tissues, stored with the airs and fires of her life, were being replaced from some general supply of gels and rosins. Her body would breathe her, life like a gift forced on us, crackle and hearth-snap of mucous, and then she would not breathe. Sometimes it seemed it was not my mother, as if she'd been changelinged with a being more suited to the labor than she, a creature plainer and calmer, and yet saturated with the yearning of my mother, she would work for a ratcheted breath, and then rest. Palm around the baby crown of her scalp where her heart fierce beat, palm to her tiny shoulder, I wondered her, and she lost wonder right back at me, and was still for a long time, and then her poor, dear tongue, round, and spotted with old manna spots lifted, and a small gasp was made in her mouth as if gently forced in, then quiet. Then another sigh, sweet and resigned, as if of relief, and then peace. This went on for a while, as if she were having out, in no hurry, her last feelings about the earth, her tender, sorrowing completion, and then in my palm against her head the resolving gift of no suffering, no heartbeat; for moments, her lips seemed to curve up, and then I felt she was not there, I felt as if she had always wanted to escape and now she had escaped. Then she turned, slowly, to a golden thing of bone marking where she had been. Later, I kept going back to kiss the brow, it did not seem a possible thing for me to leave the building and she not leave, like leaving a newborn alone at home. The night air was black and fresh and cold, and in the fog there shone, muffled, the marguerite, the mother of pearl moon.
Sharon Olds teaches in New York University's Graduate Creative Writing Program. The Unswept Room, her seventh book of poems, is due out from Knopf in November.