Tess GallagherDear Ghosts,
my friend is back from Cairo. He is tired in the eyes from all he has seen. Tired too from drinking whiskey straight in the little dusty cafes, keeping up with the company. It is 1991, before the bad business of Iraq, before my own time in Cairo. We drink a little whiskey together, joining one far midnight to another, because my black-haired orphan is with us--she whose brown eyes add a crackling to the night. Her glances, black butterflies of the general soul, join me to one who is missing, who sleeps like a hive of wild honey with his sweetness intact, like a blue door sure and firm in the swift corridors of the night. He who tries to wrest shards of love from the world in broad daylight, who loves only a little at first, then madly. Love, such a run-down subject, says the ancient poet of Rio. My orphan smiles and clicks her whiskey glass to mine. In Cairo the camels throw the weight of their haunches onto their knees and rise up. An old man passes through the cafe swinging from a chain his brass cylinder embossed with stars and half-moons. The charred droplets of burnt musk rain over us, seep through our sleeves onto our skin. My friend is talking about his Italian motorcycle. Love, such a run-down subject, especially, forced as I am, to mix these living creatures with ghosts, with the axe-edge beauty of a woman's indifference and the sleeping lips of that one who lies even more deeply asleep in me. Suddenly the bar is noisy, the music a raw throb at the base of the brain. We can't talk about love or anything else in here. Time to put our arms around each other's waists--my man, my woman, my unapproachable dream. Time to walk out into the pungent streets of Cairo with kisses of good night on a street corner where it is dark and cool enough for weddings that happen all night long to the frantic pulse of the tabla. Move back, the men are dancing, the men are showing their sex in their hips, their bellies and waists. Rose water is splashing our brows on this street corner, unappointed as we are, but bound inexactly by whiskey, loud music, Italian motorcycles, by the unknown parents of my orphan. And in the wide silence of each step, the implosive blue rose drops unknowingly into my thigh to preserve love's ache, love's incandescent whisper under the black smell of mountains. And I don't know why we are together, dear ghosts, or why we have to part. Only that it is precious and that I love this run-down subject.
Tess Gallagher is a poet, short fiction writer, and essayist. Among her many books are Moon Crossing Bridge, Amplitude: New and Selected Poems, At the Owl Woman Saloon, The Lover of Horses, and A Concert of Tenses.