A.R. AmmonsRun Ragged
I said I don't want to be older, but it's be older and older or nothing, right: and day by day it's been older every day since the beginning: still, there was a bracket of young years within which one could say, these are not the older years or the baby years: there are, as Shakespeare said, groups of time, the transitions from one group to another usually unalarming: people who have nothing to say should say nothing: they should drum syllables or squeeze verbs (or nouns) or cast them like die, craps, creeps: for example, I don't feel at home in this universe and it may be the only one: that is so pathetic: I think that is so heartrending with content: how can the place you come from not be your home: is the only way to make a phrase interesting to make it sound like it's not a phrase: or it could be two phrases or go two different ways when you are really going nowhere well, the human race needs a better track, the track itself worn or grown over. 31 March '98Thrown for a Loop
There's so much more belief than truth, and that is lucky in a way, belief inclining us more toward what we need than what we'll get: but we really do believe what we believe and we hope it will work out: but put a plug of gold on the scale opposite a sack full of painted feathers, truth will that great woven cluster outweigh: the fulcrum could be called "getting along"--and that's where balanced persons no doubt stand: those who slip down the arm toward feathers keep an eye back on truth, I'll bet, and those heavy with truth, which is sometimes ruthlessly truth, oh, they longingly look toward the painted fare: belief can fulfill dramas of yearning, while truth's exactions narrow down the margins: but even when it's a tightrope it's somewhere to walk, while dramas address theatrical appetites: that truth and belief are one, cooperating one with the other, that is simply GRAND, and they sometimes do, aiming at heaven, cooperate: I think that this means only that illusion plays well against reality, though we have so much trouble telling which is which, truth often losing the figurements of its set up, and illusion as often floating off, a grain of reality its core: there is a sufficient place in the mind that turns away into the errors of explanation just to be about: the sitting center's butt gets tired, and the feet and legs can do with a little circulation, like walking out into the country to chat with the farmers, lend a hand, or help a calf stand up in its freshest morning: do with the obvious: little lies behind it....Wrong Road
So I said to the short order cook (because I think he owns the joint) what did Santa bring you: a fairly aggressive bit of humor, since I hardly know the man: my wife and I stop there occasionally on the way to Syracuse because it isn't busy, the eggs are right, and the waitresses so friendly: when he says, Oh, some of this and that: so I said, a boat: (checking to see if he was really rich): a gun, I said--maybe he was just one of the guys: I have a lot of guns, he said: well, I don't think he ever did say what he got, some clothes, maybe: he was turning too many eggs, jigging hash browns: on the way to Syracuse, I finished it in my head: he got angry: who's asking, he says: so I try to bring him down: I'm too old to rise up to risibility: I said, I'm a little older than you, so I was wondering, because I was disappointed in myself when my wife asked me before Xmas what I wanted for Christmas: I couldn't think of anything: what does it mean to want nothing from Santa: so I just wondered what sort of thing you might have wanted, or if you had liked what you got: well (reader) this last part doesn't sound as good as the way it came to me around Lafayette: I have a little tingle of fear that the next time I stop there, the guy will say, listen, buddy, I'm old enough you don't have to ask me what Santa brought me and I'll say, well, it's Easter now, and I'm not going to ask about those eggs....
A. R. Ammons wrote nearly thirty books of poetry, among them Glare (W. W. Norton, 1997); Garbage (1993), which won the National Book Award and the Library of Congress's Rebekah Johnson Bobbitt National Prize for Poetry; A Coast of Trees (1981), which received the National Book Critics Circle Award for Poetry; Sphere (1974), which received the Bollingen Prize; and Collected Poems 1951-1971 (1972), which won the National Book Award. He lived in Ithaca, New York, where he was Goldwin Smith Professor of Poetry at Cornell University until his retirement in 1998. A. R. Ammons died on February 25, 2001.