Gillian ConoleyLincolnesque
Peace does not appear so distant as it did. Nor legs so long as if to ask, is this a marriage or an allegory? Enter do you want a Negro woman for a slave or a wife? "I could just leave her alone." War next next/next over in less than a week, sure thing most excellent chief, high hat with no man in, death close-walking-- Enter Captain Lilac brought the enemy down but enemy resurrected through dooryard last-- a laughingstock, the green states, who once had his "persuasion, kind, unassuming persuasion." * One spiritualist, two spiritualists, three spiritualists, four dust off black topcoat of history, lilacs, lilacs, you and me, we always got the histamine. Sparrows nest near the eyes, flee bearded Death, concrete example: "I am not reading. I am studying law." Enter "a specious and fantastic arrangement of words, by which a man can prove a horse chestnut to be a chestnut horse." * Money to make beautiful sound in school children's pockets, money to know all their addresses, ordinary terrors to keep under one's hat, muy tired. Does poetry matter? A cloud clearly seen is stranger than country, mystic chords and patriot graves, 'copter guard. If Colossus could have sat down, I bet he would have. Free verse is "Ladies and Gentlemen: I appear before you merely for the purpose of greeting you, saying a few words and bidding you farewell. I have no speech to make, and no sufficient time to make one if I had; nor have I the strength to repeat a speech, at all the places at which I stop. I have come to see you and allow you to see me (Applause) Enter the lawn from the rear, grey/green, windless, eerie. Unsifted birds layered low lift to the oracle's ear, whippoorwill intoning over rio. (Great head above crowd, brow in the cirrus, that's you, spoken man) Imagination to state: concrete over the dead, piled-high. The country makes the scene a wonder. and now I believe I have really made my speech and am ready to bid you farewell when the cars move on."
Gillian Conoley's four collections include Lovers in the Used World, Beckon, Tall Stranger (nominated for the National Book Critics' Circle Award), and Some Gangster Pain. Poems from her new manuscript are forthcoming or in recent issues of Fence, Colorado Review, Electronic Poetry Review, 26, and Jacket. Les Ferris will soon publish a chapbook of her new work, and Tall Stranger, long out of print, will be reissued as a Carnegie Mellon Classic Contemporary in 2004. She is professor and poet-in-residence at Sonoma State University and the founder and editor of Volt.