The American Poetry Review
Reginald Shepherd

Iconography Says:

In that year I was perfect 
and in mourning

Blue glass tends to replace 
lapis, I look out and it's
winter: from my window
I see only afternoons, white
silent trumpet flowers, each
abiding in its proper exile, come
to better terms, wrong air
where voice is theft itself

Tamper, tempered, sun throws me
like a shadow, very unlike a day
between two rains (and in 
describing, it was that nothing
which defended me, dearest
unknown, dear why, why not 
as well: presence 
of thing without a thing)

Hedge, thicket, shawled
shrubs, picket of foliage, leaves
green, browning debris: yellow
trees in series, short histories
of color (four hours
of purple, four hours of red):
raw vessel of wet winds
left wordless, eventual

Wherever risk accumulates
and he unlooses all the wings,
shifts picture planes, tectonic
plates apart: petty exterminations
ruined by gone (our lady in 
the tense "not yet," many
things being there, you are
elsewhere), the dangers of less

Selfish, I keep all these for me



tate Reginald Shepherd's third book Wrong, was published by the University of Pittsburgh Press in 1999. He lives in Ithaca, NY, and teaches at Cornell University.


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