Brenda Hillman

Contest

On a ship smooth as the decade, near the pine bunk beds,

my mother prepared for the captain’s

contest, making the costumes

from scarce materials:

she would be Red Riding Hood, with a cheesecloth cape

and high heels, Dad would be the wolf.

We’d been on board for over a week.

It seemed we’d never reach New York.

I thought of Brazil: black beaches and covered bins—

before the lifeboat drill, before

my brothers learned to swim—and now

the grown-ups sat for hours

in the slatted chairs, holding novels up against the sun,

against being nowhere in 1956 … and the ship

divided the air, black-white-black,

like a huge nun, her twin

pools winking knowledgeably

on the high decks . . .

The children stayed up late

for the contest. The ballroom floor’s gymnasium shine

kept everything, smeared slightly,

in its collective mind; and after those

with no imagination, the poor

in spirit, came

my parents: my mother’s Riding Hood cape

fluttering, my father’s crepe-

paper snout pushed back

above his eyes, and they were grinning, and I

was grinning, the world loved them,

and it was not complicated . . .

then

something else came to the balustrade—

I could see what they could not—a brightness

cast me in its joy and left me out:

the smiles of the captain’s guests

like glittering chains seen through portholes,

hooks and chains in the moonlight . . .

Brenda Hillman

 Brenda  HillmanBrenda Hillman has published seven collections of poetry: White Dress (1985), Fortress (1989), Death Tractates (1992), Bright Existence (1993), Loose Sugar (1997), Cascadia (2001), and Pieces of Air in the Epic (2005), all from Wesleyan University Press, and three chapbooks: Coffee, 3 A.M. (Penumbra Press, 1982), Autumn Sojourn (Em Press, 1995), and The Firecage (a+bend press, 2000). She has edited an edition of Emily Dickinson's poetry for Shambhala Publications, and, with Patricia Dienstfrey, co-edited The Grand Permisson: New Writings on Poetics and Motherhood (2003).
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