Tracy K. Smith
For the Goddess

 

They say I’m done for

while on every path

a thousand hearts greet me,

shadows and houses laugh.

 

—Adonis, translated by Khaled Mattawa

 

 

Cherry: Kerási. Spoon: Koutáli.

Jeweled kumquats. Figs in syrup.

Cut melon laid at the water’s lip.

 

Weightless, I drift. Light drips

onto the rind of me as I prepare

to receive the Goddess. She

 

who scolds me for snapping at

my son, who commands, Indulge him,

who deems me inexhaustible and

 

demands that I bend, dip, fill his

worthy cup. Am I a coward? I clutch

loneliness, calling it peace. I shut

 

doors against love. Yet she remains

patient, the Goddess. Her cool breath

steers a wasp toward my hair. She

 

who will instruct the wasp to sting

if I but raise my hand to test, if I

dare doubt myself a fitting nest,

 

if I ask to know whether she has

gone or if she was ever there.

 

 

*

 

Was it the Goddess I saw

on the road from Anemomilos,

a woman of 70 stepping out

of white panties, then rising

 

to unhook a putty-colored bra?

Sun inched toward the horizon.

Two old men leaned against

the seawall, studying the tide.

 

What pride it gives me to recall

her there, dressing for an early

evening swim while the world

sped past, averting its eyes!

 

*

 

I’ve climbed up from the old city,

down a sand-and-gravel path,

 

through palm groves, olive trees,

past rosemary, pokeweed, oleander,

 

just to attempt this form of rapture.

I'm not alone. The Goddess attends

 

to all her children in a manner agreed to

lifetimes ago. Her voice is light across

 

a distance, a steady beam arriving

from every direction. All are many, each

 

seeking, each needing distinctly. Succinctly

she instructs when I allow myself to hear:

 

moth wings, pebbles rasping the shore,

rattle of phlegm in a stranger’s throat,

 

steep angles of laughter that peak

and peak. All is the Goddess at work.

 

She says, Your labor is not to know, only

to see. That night, I see a window flooded

 

with light. She says, Your work is not to see

but to become. Tomorrow, let me become

 

the open window blasted with stormwater,

breached by voices singing and voices

 

commanding the singing to cease,

window with neither glass nor lock—

 

*

 

The purple bougainvillea

growing against white walls

spends six months singing

Color! Color! shaking its mane

 

of flowers and leaves, and then,

without suffering, submits

to six months more

of strenuous contemplation.

 

O Goddess, blossoming

as a thought in the willing heart!

 

After hunting, the wild terns

stand preening on rocks.

They face into the wind, each

listening to the single mind

 

of the colony through which

a voice rises to command

Up, up! And the birds

lift instantly into flight.

 

O ardor, through which all

worthwhile pleasure must pass!

 

                  *

 

In allegiance to the Goddess,

I reject man’s call to battle.

I embrace the soul’s duty to bliss.

 

War’s crimes are fear, silence,

obedience to lies. This is what kills,

what drives the will to destroy. But

 

if mercy is liquid, then rapture is vapor.

I know I’ll meet this sea in other form.

Tea water, holy water, birth water

 

splattered on the kitchen floor. 

How many borders must I rupture

on the path to surrender?

 

I embrace the soul’s duty to bliss.

I reject man’s call to battle

In allegiance to the Goddess.

 

 

*

 

Everywhere in the world there are

women in whom I see the Goddess.

Like a remembered scent stirring up

my soul’s oldest memory. Mothers

of children. Daughters and sisters

of the Goddess herself. Women

who’ve spent lifetimes tending

and leading children. Women

raised by children’s voices. Women

with thick skin on their hands

from hot skillets, whose bodies

remember the bliss of a child rolling

and breeching in the ocean

of their bellies. Even if we don’t

much speak, it comes out in the way

we hang onto the world, the tears

blotting out conversation, the grief

we harbor in the constant unending

midst of war. The way, walking through

any city, we stop to count the children

alive on scooters. Living children hoisted

laughing onto tall shoulders. Children

running. Anyone’s children laughing,

hurrying alive through living streets.

 

*

 

The school of devotion is pure questions,

Isn’t it? Whose dead are not our dead?

Who among us is the enemy of water?

 

                  *

 

Azure blue, cobalt blue, cyan, silt.

I climb down a ladder into the water.

 

Pitch blue of the mossed stones

greeting my feet. Wildflower blue

 

of the instant everything carried

is lifted away. The face of the water

 

is crossed by corn blue shadow.

Basalt blue of breeched stone walls.

 

Corpse blue of broken treaties. Bitter

blueblack false laughter. Bluet blue

 

desire. Clap of wave against thigh.

Bloodblue the escaping sigh. Bruise-

 

blue lust. Dusk blue the beloved’s trust.

Twilight blue pride surrendered. Cut

 

sapphire of self-deception and lapis

of position—all to go. The Goddess

 

smiles an ice blue bouquet of fog

exalting the mountain’s face. Heaven

 

blue. Puddle blue. Ineffable infant

blue relief at the nothing weighing

 

heavily on us anymore.

 

 

 

 

 
Found In Volume 55, No. 03
Read Issue
  • tracy k smith author photo credit andrew kelly
Tracy K. Smith
About the Author

 

Tracy K. Smith served as Poet Laureate of the United States from 2017-19. Her most recent poetry collections are Wade in the Water (Graywolf Press, 2018, winner of the Anisfield-Wolf Award) and Such Color: New and Selected Poems (Graywolf Press, 2021, recipient of the New England Book Award.)